What is equivilant Megapixels contained by a digital camera to my regular 35mm Pentax next to 200 speed color motion picture?

I want to make big (16x20 or 30x40) prints

Currently I use 200 speed Fuji


Answers:    I will break from the pack on this one. Properly done, a 10 to 12 megapixel camera is competent of making prints certainly at the 16 x 20 size and even 30" x 40". It's adjectives about the software interpolation of the digital directory. Thus, your answer has two parts: 1) the megapixels available and 2) the skill of the printer worker, and quality of his equipment/software.

Even 200 speed show has pellet in it, which can detract form the overall statue. By comparison, digital cameras when shoot at low to moderate ISOs do not exhibit this grain template, as long as the images are properly exposed. Digital cameras show print noise at large ISOs and typically if underexposed.

I was playing around this week near my scanner and my Fujifilm Provia slides, both in 35mm and 120 format. The 120 format is lately remarkable when used with ISO 100 slide show, and when scanned I achieve the quivalent of about 25 megapixels. The article is, at 100%, I can see that the image is soft and not as detailed compared to a digital SLR near a lower megapixel rating.

I suggest approaching the local facility where you will be making these prints to determine their aspect and image requirements. They can probably convey you a minimum # of megagpixels you need to hold in your SLR.
Absolutely none!

They are totally different technology.

If you were to want to be paid 16x20 inch prints, a good professional DSLR near a 10 to 12mp sensor photographed in RAW will work.

To carry to 30x40 inch prints, you would probably need to use a atmosphere format digital like a Hasselblad or Mamiya next to a digital back.
About 20 megapixels below the best conditions. A typical point-n-shoot 35mm camera can drop down to 10 megapixel or even 6, depending on lens and settings options.

For professional title photography, though, 35mm is still holding the dwindling lead over digital photography.

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